00:00
00:00
WritersBlock
I'm a writer.

Shane Cartledge @WritersBlock

Age 33, Male

Curtin Uni

Perth, Australia

Joined on 1/8/07

Level:
13
Exp Points:
1,650 / 1,880
Exp Rank:
38,059
Vote Power:
5.48 votes
Audio Scouts
10+
Rank:
Portal Security
Global Rank:
21,506
Blams:
180
Saves:
283
B/P Bonus:
8%
Whistle:
Silver
Trophies:
5
Medals:
721
Gear:
3

WritersBlock's News

Posted by WritersBlock - August 10th, 2008


Ok, I'm terrible at building a hype. A couple of news posts back, I unveiled my grand-master plan to create a digital album, except that the song titles were secret ;D
Now, I'm thinking that no one really cares if I tell them my song titles or not, so I'll just come out and blab about them all.

I've got 12 songs planned with a target total run-time of 60 minutes. I feel that I'll end up scrapping a few tracks and starting those over, but for the most part, the songs have a lot of promise, I think, but once I've got a demo of them done, I feel that I'll really need to strip them down and start over going for a tidy, high quality, as-professional-as-I-can-get sound.

So here's the lineup so far:

1. Fantasie Mystique (8:04)
It's done. :D
2. Carbon Baby (3:34)
An extended, more developed version of Carbon Baby (part 2)
3. Anbaric Realm (2:16)
A brand new piece with a retro feel. I'm aiming for a bit of a Daft Punk "Aerodynamic" feel, with my own original touch, of course.
4. The Chamber Chronicles (2:31)
A slow electronica track. Hard to explain. A little Pendulum-ish DnB but not really...
5. Wormrunner (1:47)
Another weird electronic piece. Kind of fast paced video-game-ish.
6. Factory (5:01)
The industrial track that was my 100th submission and first weekly top 5. It's in the portal.
7. The Wild (5:02)
Was going to be my MAC8 July entry, but it's currently lacking a defining melody. It's a very slow misc/classical piece. Very slow.
8. Genesis (2:21)
A blend of slow piano with melodic synths and some drum breaks.
9. Miskatonic Dreams (1:38)
All I know about how this will end up is that it'll be in 6/8 time. I'm not sure if I'll keep what I've got so far...
10. The Timekeeper (2:58)
An attempt to revive an old WIP. It has promise, but it needs fleshing out. We'll see how it turns out.
11. Arkham Fugue (1:33)
So far, it's a classical piece, strings. I've been thinking about making it a full orchestra but I don't know where it'll end up.
12. Millenium Highway (1:13)
Ending on a light note, this song reminds me a lot about one of my other songs "Eternal Train". It's a happy techno type thing.

Total runtime: 37:50

I'm hoping to get a lot of progress done over the next few days, I might even try and get a demo up on newgrounds soon (we'll see).

Thanks, I'll (hopefully) keep this up to date and keep you all in the loop with what's going on.

Edit: I was going to upload each song at 160kbps but since track 1 is at 8 minutes, it's past the Newgrounds 8MB limit so I'll lower the kbps and maybe upload at a higher quality somewhere else.


Posted by WritersBlock - August 1st, 2008


The Lycanthrope
Made in a single day for the DnB Time Signature Contest (see the Audio forum for more details), this song blends dark, quirky and slightly melodic synths with some fast paced drum beats that fit snugly into a 5/4 time signature, making the song slightly awkward to dance to.
So, yeah, check it out please, vote, review, etc etc, and I'll love you long time.

And if you like it, then you might want to check out my previous blog post, it's about an album I'm working on, which will have a ton of effort put into it on my behalf, and it's already shaping up nicely. The Lycanthrope is mainly just a track to get something out while I work on bigger stuff.

Also, thanks to everyone who voted and reviewed on my previous submission, it was great to get all that feedback and support.

Edit: Here's a vid of a mock-ad made for an Australian show called "The Gruen Transfer", it's an anti-tourism ad. Watch us Aussies laugh at the prospect of tourists dieing. Yep, a real class act.

.
/* */


Posted by WritersBlock - July 28th, 2008


Hey, it's new blog time again because I have stuff I want to say.
It's been a little while since my last audio submission, and indeed my contribution to anything great on Newgrounds. As you may or may not already know, I was on holidays straight after I released Factory, and straight after that I was at work all day every day (except for the days that I wasn't), and when I come home, I just veg out and drool at the television. Well I have 2 more full days of work before I'm back to my regular 20 hour 3 day weeks, which I'm very much looking forward to.

So, I've got all this time taking me away from my music, have I done nothing? No, I've been doing stuff. All the time away from my music has given me the space and freedom to formulate concepts and ideas, so that when I get around to making music, it's better than ever. I've got more music now that I'm happy with than I've made over the whole of 2007. I've got about 10 songs in progress, and a couple of pre-existing songs that I'm hoping to finally compile into a decent full length original digital album. Overall, I've got 12 songs planned out, 11 are already under way or completed, and I'm aiming for a total running time of 60 minutes, but I'm at 30 minutes at the moment, and I'd say that I'm only about 20-25% complete. The thing that worries me the most is that this'll turn into another shallow commitment that'll never get done, like so many other things I've said that I'm going to do but are still sitting in the drawer.

Has it got a name yet? You bet it does, but I'm going to keep the track titles and all that to myself until they're done and up ready for the whole world to hear, except for the tracks that are already up here. I'll say that Factory will be in the album for sure, as will an extended version of part 1 of Carbon Baby, except that it'll have a different title. Part 2 will also be in there too, once it's finished, and it'll just be called "Carbon Baby", no different parts. It'll still flow on from part one, and I'm actually thinking about linking all songs with a bit of background noise transitioning from one to the next. And Pandora's Dance will be in there too, except that I'd like to improve the quality and make it overall more "presentable". A variation on my piano solo "Prologue" will be the closing piece. It's just a rearrangement, but I haven't started it yet, so I'm not sure what direction it'll take, but it'll also be taking a different name. Aside from those, I have one piece that is about half done, that was for the MAC8 Sorrowed Tears competition, although time is tight. The rest are all needing lots of work to complete.

I might be overly ambitious, but what I've got so far is 30 minutes of my best work. Some classical, some is a blend of classical and electronica, most is hard electronica industrial/DnB stuff. A few drum samples from Nav, a few from suspended-3rd-Chord, and inspirations varying from Daft Punk to Pendulum to numerous classical composers to authors such as H.P Lovecraft (horror) and David Zindell (sci-fi/fantasy). I'm eager to complete a few tracks and attempt to fine tune all of them, do a better job of mixing than I have done in the past. I really want to do a good job with this, and I hope it'll bring some people the joy it brings me, and I hope it will encourage more people to aspire for a greater quality. I'm not saying that I'll have some super awesome quality, I just want to make something tidy and catchy and totally riff-tastic. Keep your ears out for more news, I'll try and keep this updated.

Cheers.

WB

Update 1:
I thought it'd be nice to keep record of the progress of the songs I'm working on. Length, quality, that sort of thing. So a track can be completed length-wise, but all the components aren't in place yet, or it needs to be redone to fix flaws and issues. The tracks should be done by the 70-80% mark and the other 20-30% will be working out the kinks, so I'll probably submit the traacks at 80% completion to gain feedback.

Track 1: Carbon Baby (pt 1) [Renamed]- 2:24- 50% Complete
Track 2: Carbon Baby- 3:34- 30% Complete
Track 3: [Title Withheld]- 1:31- 10% Complete
Track 4: [Title Withheld]- 2:04- 30% Complete
Track 5: [Title Withheld]- 0:43- 5% Complete
Track 6: Factory- 5:01- 80% Complete
Track 7: [Title Withheld]- 5:02- 60% Complete
Track 8: [Title Withheld]- 2:21- 40% Complete
Track 9: Pandora's Dance- 2:36- 60% Complete
Track 10: [Title Withheld]- 1:38- 15% Complete
Track 11: [Title Withheld]- 2:58- 40% Complete
Track 12: Prologue Rewritten [Renamed]- 2:01- 20% Complete

Update 2: Haven't doone too much more, but I've scrapped the riff I had for track 3, and I've now got the beginning to a chilled, old skool electronica sound, which I hope will evolve into a Daft Punk type catchy beat. I can now say that I'm really satisfied with the material in the first 6 tracks of the album thus far, and I'm confident that I can flesh them out into decent songs. The last 6 tracks are generally a lot softer and more classical, but we'll see how they turn out, I might end up reworking some of them. I'm still not sure whether to include Pandora's Dance or not, it feels a bit out of place...


Posted by WritersBlock - July 21st, 2008


Ok, here's a blog that DOESN'T promote my own audio (mostly), it's a promotion for an already successful group of musicians (also known as a "band").

So today, during my lunch break at work I went down to the local CD store and asked if the new Living End album has come in. The guy (who was my previous boss, because I used to work at the store aeons ago) says no. Then he looks on the computer. It came out on Saturday. But it's not in the store yet. But... some boxes of CDs had just arrived and the album MIGHT be in there. So he goes over to the boxes and starts unpacking, and so I browse around and pick out a few other CDs (classical CDs for $10, always a good buy if I know what I'm looking for, but today, I went for their usual "$15 each or 3 for $40" deal. Coldplay's X&Y, and their Parachutes album, and Sum 41's "Does this Look Infected". So I bring them up to the counter, and there in his hand is the brand new Living End album, White Noise. I had my 3 CDs for $40, and I bought this one too, another $27 (oh, yeah, it's Australian dollars, if you haven't figured that out already, which means that it's pretty good value. Not dirt cheap, but not too shabby nonetheless). A few years down the track and the album would probably be in the $15 section, but I can't wait a couple of years to buy this punkabilly inspired radio-hit rock-fest. I'll mention now that I'm a huge fan of The Living End. Their sound is fresh, and always evolving without degrading to the pop-trash that is a common chart topper nowdays.
So I have all their albums, their two EPs predating their first full album and their singles compilation. Through each of their records there is that same raw energy and brilliant musicianship. They're a trio, a guitarist, double bassist and drummer. The guitarist, Chris Cheney, is absolutely brilliant. When you get a trio playing with only one guitarists, you'd expect the guitar to be simple chords (eg Blink-182), simple melodies (eg Alkaline Trio) with the bass picking up the slack to try and fill out the music unsiccessfully, or to be laden with effects and other such novelties (eg Muse). I like all of the bands that I used as examples, but there's just something about Cheney's guitar skills that are just awesome. He can write a killer tune, play brilliantly, and his solos are fresh and original. It also helps to have a decent Bassist too. Scott Owen is that bassist (correction: Double Bassist). One of their really early songs (from one of their EPs, can't remember which though), the bassline is deadly awesome, and it's like that most of the time. And the drummer's pretty cool too, Andy Strachan has been with the band for the last 3 albums. Aside from being totally awesome, they're also pretty consistent to please. They hold the record for most consecutive songs in the triple j top 100 (can't remember how long, but it's been a few years, but they didn't have any new stuff to chart this year when the list was made).
Anyways, listening through a few of the songs, and what I've heard on the radio, this album is even better than their last. "Raise the Alarm" is pretty much a perfect reflection of how I percieve religion. Who cares about what God you believe in, the only thing that matters is your morality. The opening song "How Do We Know" is just a massive wall of awesome sound, and the title track "White Noise" is a brilliant tune with a bit of a swing. Catchy.
Absolutely loving it.
If you see this CD in the shop, buy it. If you've heard their previous works, order this CD, and if you've never heard of these guys before, then you've been missing out. They've had a ton of hits in the past, like "Roll On", "Tabloid Magazine", "Who's Gonna Save Us?", "One Said to The Other", "I Can't Give You What I Haven't Got", "From Here On In", What's On Your Radio", "Wake Up", "State of Emergency" and loads more. Look them up, or look up White Noise on youtube, you won't be disappointed.
I also bought a few CDs while on holidays, such as Daft Punk's "Human After All", which was a disappointment, none of the flair and brilliance of their "Discovery" album.

Edit: I forgot the small self-promotion I was going to make. I'm messing about with a few Factory-like songs. Electronica, some fast paced, some slower, some dance, some drum and bass, some variety. I think I've got a good start, and I'm hoping I can pull through and finish off a few decent songs.

Edit 2: I'm switched on today, here's the title track video:

.
/* */


Posted by WritersBlock - July 15th, 2008


I've been on holidays since Tuesday, and I came home today to find my song 4th on the weekly audio top 5. My fans have almost doubled and the amount of votes and reviews on Factory is insane. I think someone's sick at work, so I've got a ton of hours, but I'm going to try to respond to every review. This means a lot to me.

So, yeah, say you like my music, say you hate it, whatever, I'm pleased all the same.

Don't forget to check out Karco's Paradise on E remix (if you haven't already), it's the most awesomest remix ever.

Oh, and thank you.

[Edit] I've now reached 100 fans. Woohoo! From just over 50 to 100 in a bit over a week. Thanks guys.

Weekly Audio Top 5! I'm officially stoked, you guys.


Posted by WritersBlock - July 6th, 2008


Here's a short horror story I wrote for a deviantArt club I joined just so I could get some motivation to write. I had under a week to do this, so it's horribly set out, and rushed, and it had to be themed around Vampires. I did not want to do some horrible cliche story, so I tried to put a less common Lovecraftian spin on it. A little more scientific, but still, I'd really love to revise this once I get time. But anyway, blah blah blah, read it and I hope you enjoy it. It's a lot shorter than The Butcher of Krankhafte, not as good either, but still...

A Note for Elizabeth

The streets of London were slicked with hardened ice, the sky was encased in a dome of storm clouds all day and all night. It had been like this for a few days now, and the families mostly kept to themselves. But the weather could hardly dampen their spirits, considering what time of year it was. Each house was decorated in crimson and emerald ornaments, each living room was home to small but fashionable Christmas trees. Even though the weather was the worst it had been in years, the spirit of Saint Nicholas was still shining strong. This was the norm of every house in London, well, all except one. Mrs Welkes, and her eleven year old daughter, Elizabeth stood at their front window, gazing out into the darkened street, waiting for their beloved father to step over the threshold and greet them with warm smiles and open arms. They waited, but he did not arrive. They waited until the burning street lamp gave in to the cold outside, they could wait no more. They were disappointed, but not surprised by his absence.

Johnathon Welkes was a successful man, a scientist respected amongst scientists. He was also a busy man, and he regretted the times that his work interfered with his family time. But they understood. It was hard for Elizabeth, but she was a good girl, and she was very understanding, and mature for her age. She had a lot of her father's determination in her, and it tore John up inside to miss seeing her grow up. Elizabeth, like so many other children in the area, went to a boarding school to study. She only came home for holidays, which seemed to be the busiest time of the year for John. It was 10 days until Christmas, 15th December, 1933, and John was hard at work, trying his damnedest to finish his research so that he could be with his family on Christmas. He had promised Elizabeth that he would be there for her. And she was so overjoyed to have the opportunity, for she had not had a Christmas with her father since she was five years old. Although she knew deep down that her father might be too busy, she couldn't help but pour all her hopes into his promise, and think that this year would be "the one".

Johnathon was working through the night, papers littered his desk, essays, documentations, diagrams, photographs, and there were even a couple of models of his subjects. I walked into his office at around midnight to see his pen scrawling madly across paper. I placed a coffee on the corner of his desk and peered over his shoulder at his papers. My eye caught one particular photograph that was so horrific, it still haunts me to this day. My reaction was of pure revulsion and fear, of such force, I knocked John's coffee cup to the floor. His pen stopped moving.
His head remained bent over the paper, "What?" he asked, with a tone of annoyance.
"Sorry, John, it's just that... that picture" I pointed at the foul, disfigured image in the photo, trying my best not to look at it again.
"Filthy beasts" He said. "they're human, but they've altered themselves. I don't know why, I don't know how, and if I don't figure that out soon, I'll miss Christmas again."
A sharp knock came from the door. John looked at his watch before muttering to himself "of course". He strode out of his office to answer the door. I followed him, still trying to get the photograph out of my mind. I was afraid of what these monsters might be capable of doing, but I felt that sticking close to a learned man such as Johnathon would be safest for me. I figured that the more I knew, the less I would fear, and I would be able to sleep without images of that photograph torturing me while I sleep. How very wrong I was.

John's colleagues had arrived with a gift that pleased him beyond doubt. They had brought him his specimen to study, dissect and analyze. He led them down to the basement laboratory, helping them navigate the 8 feet long crate through the building. The crate rattled and shook continuously, as if something alive was in there. I followed tentatively down the stairs, keeping my distance, a growing dread sat in my stomach, for I had made an educated guess that the thing in the crate was the same specimen as the monster in the picture. I shivered just thinking about it, but that reaction was nothing to the paralyzing fear I felt when I actually discovered that my assumptions were correct.

Once in the basement, the men used a crowbar to prise open the lid. They turned it over onto the floor, and I had a clear view of the creature within. Almost 8 feet tall, vampirous in appearance (according to descriptions in folklore, at least), battered and twisted wings were bonded to its side, limbs bound, mouth gagged. If it weren't for these things keeping it secure, I would have left then and there, out of the room, the office, the city, hell, I'd probably have been on a ship half way to America before the others realized I had gone. But even with the bondage, and the six burly men restraining the struggling monster, my feet were rooted to the floor with fear. I would have screamed, but my terror had robbed me of that, too. It was only after John stuck a needle into his specimen and dragged the limp body into a prison-like cell, that I found the strength to sit down, and get my brain functioning properly again.

I watched as John gathered samples from the creature, clippings off its wings, blood samples, saliva samples, teeth molds. He worked from behind the locked bars, which caused my stomach to turn, if the beast were to awaken, he'd be dead. But he worked quickly and efficiently, appearing calm and collected, while I sat in the corner, trying to stop my head spinning just thinking about the situation. He then lacerated the bonds holding the creature into place, and it slackened onto the floor. Although John didn't show it physically, he was relieved to get out of the cell and lock his specimen away. He put the samples under microscopes, he took notes, he mixed the fluids with chemicals, he took more notes. I had no idea what he was looking for, and by the way he held his head over his work, neither did he.

The "vampire" in the cell started to come around as the anesthetic wore off. It got to its feet, head almost toughing the ceiling, wings had barely enough room to unfold. John had his back turned, and had no notice, so did a few of his colleagues, who were also conducting several small scale experiments. But a couple of others noticed too, and they looked very afraid. The vampire yelled, a long, agonizing, almost wolf-like cry. It rattled the bars of the cell and batted its wings furiously.
"Mi ala fa'hra shi omar!" It yelled. " Mi ala fa'hra shi omar!"
John was now staring at the creature as it repeated this phrase at the top of its lungs. His pen scrawled across parchment, but his eyes remained asphyxiated on the beast. What were these words it was speaking? What language? What meaning? I looked over at Johnathon, he sat there with his papers, pen still flailing madly. When we came down to the basement, the desk and equipment were all neatly organized, now, after the short time while John and his men worked, his desk was as messy as the one in his office, paper strewn everywhere, he had books opened all over the place, and now he was intent on observing the conscious daemon's actions. He was writing frantically, absorbing every movement, every action processed by this creature's mind. A full psycho-analysis was unfolding before my eyes, and he sat there writing, mimicking the phrase under his breath, "Mi ala fa'hra shi omar".

We had been in the basement for hours, but I seemed to be the only one in the room at a loss as to what to do. There came a point where I could take it no longer, my still silence and observations were driving me mad. I got to my feet and shuffled back upstairs to make beverages for John and his team. From the small office kitchen, I could still head the monster's cries. I didn't want to go back down there, so I took as much time as needed to prepare the tea and coffee. Several minutes passed, as I waited for the water to boil, when I noticed a loud crash from below. The lights went out, I could hear some yelling and grunting from the basement, of which I couldn't distinguish man from beast. I stood fast, rooted to the spot, waiting for some indication to move. I waited a few more minutes, listening intently to the sounds beneath me. Were they... dead? I couldn't hear anything any more, such was the sudden, intense silence. No voice or movement could be heard, I was isolated in the darkness, fear starting to consume me, consciousness confusing real with dream. It was all real, no I wasn't imagining things. I was brought to my senses by the sound of slow, heavy footsteps climbing up the stairs.

The footsteps were moving closer and closer. I could hear them just outside the kitchen door. A faint candlestick glow came through the doorway, it was Johnathon.
"Oh, thank God" I said, and I followed him back out into the hallway. "What happened?".
"They had given the specimen its anesthesia opened the cell to take it out, but it wasn't sedated at all, and it lashed out and attacked them", his voice was shaking slightly. "Three... maybe four of them were badly injured. When the vampire lashed out, he also knocked out the power generator." John went into his office and got his pen and paper. He scrawled something down and folded up the paper. He handed it to me and said "Can you do a favour for me? Take this note to Elizabeth and then come straight back, we need to sort this mess out".

John walked with me to the door, then I ran off down the street. As soon as I turned a corner, I unfolded the message and read- "Dear Elizabeth, I won't be making it home for Christmas this year. I am truly, deeply sorry. With sincerest apologies, your father."
I folded the note up, regretting the situation John was forced into. He was like a small, innocent creature, being boxed in by an 8 feet tall carnivorous bat. I started running again, his house wasn't very far from his office. The note was slightly crumpled in my hand, such was my grip on it. I came to a halt outside the house, bent over so as to catch my breath. I lifted a fist and knocked on the door. I saw little Elizabeth peer through the curtains of the front window to see who I was. She opened the door to let me in.
"Hello, Elizabeth" I said kindly. "I'm sorry I can't stay this time, I'm just here to give you this note from your father". A tear rolled down my cheek. It tore me up inside to bring such devastating news to such a young, innocent child.
"Thank you, Mr. Dawson" she said, and she began unfolding the note. Her lip trembled as the news hit her. She looked up from the paper to say something to me, but I had already started running back to her father.

I approached the office to find that the electricity had been restored. I walked through the open front door, and called out. "John!?"
"I'm in the basement!" He yelled back.
I crept down the stairs once again, afraid of what I would find there. The room was pretty messy, quite a bit of blood on the floor, and John stood over a table, strapped to which was the vampire. There were 3 of John's colleagues also standing over the creature, the others, I noticed to my horror, were locked in the cell, piled on the floor.
"Are they... dead?" I asked.
"No, they're unconscious. They should come round soon enough, but I'd prefer that they were dead. They were bitten by the specimen, and if my research is consistent, they have been infected with a virus which will latch on to their brain, and cause decay in their blood. They'll have to leech off the blood of others to stay alive."
"So, how's this one staying alive?" I was revolted by the thought of the werewolf-like disease John was speaking of.
"These wings here", he said, indicating to the large black wings sprouting from the creature's back, "they're grown over time, due to a genetic alteration from the infection. The wings create a blood stimulation that produces a hormone which balances against the decay. A lot of people who get this disease will die shortly after, because they can't replenish their blood."
It was disturbing, yet hauntingly tragic, how precise John had been on the existence of such an aberration of nature.

His next actions truly disturbed me more than anything he had done in the past. He produced a hacksaw from his tool kit, lifted one of the vampire wings off the table, and began sawing it off from the unconscious vampire. He held a jar to the base of the wing, collecting its viscous blood. He proceeded to do the same with the other. Then, he slowly raised the jar to his lips, and consumed its entire contents. And at that point, I realized. I departed the room in an instance, up the flight of stairs, out onto the street, and as far from his as possible, for I knew that he was void of all human emotions, and I knew that never again, would he see his daughter on Christmas...

[<<<Previous Blog 100th Audio submission, Factory]


Posted by WritersBlock - July 2nd, 2008


My 100th submission has just hit the audio portal! Check it out: Factory
It's my best electronica yet, it's a hard hitting dark trance track.
Thanks to everyone who's helped me to get to this stage, Maestro, Rig, SBB, Rucklo, and a lot of other guys down in the Audio Forum.

Review it today, and I'll love you long time!


Posted by WritersBlock - June 29th, 2008


I'm a fence sitter when it comes to reality television, for me, it's all about the intentions behind the shows. Big Brother is the worst excuse of entertainment I've ever seen, really, it's quite pathetic. Australian Idol is a bit better, but it's all just a massive popularity contest driven by popularity, so that it can be even more popular. And more popularity means more money. Greedy bastards. I prefer to watch show like Survivor and The Amazing Race. For starters, the contestants aren't voted off by the public, which means that they actually have to use their brains to get ahead in the game. Those shows have a competitive edge that I've come to like.

And now I've found myself watching Australia's Got Talent. It's along a similar format to Australian Idol, but it's not dragged out forever, and the voting isn't the only thing keeping the show running. I like it for the variety and entertainment that comes from the series. As the end of the series approaches, the thing I'm most interested to see is who will take the $250 000 prize. As for who I'd like to win, I'm not terribly concerned, provided that I know that the money will benefit the act and help them break through into the entertainment business, for example, Shift-1. Original, entertaining, the prize would certainly benefit their act so much.

.
/* */
My main issue is with the 5 year old singer/dancer, Mietta, who got through simply because she's cute, and because she's talented for a 5 year old. Compared to the other competitors, she's the worst, there's a couple of others that are kids, but they are actually entertaining by normal standards, and actually have a chance agains the older acts.
Smokin' Joe Robinson

.
/* */
Notice that Dani (sp?) Minogue commented that he's still got a bit of developing to do, yet he's a hell of a lot more talented that a 5 year old who can't sing in tune. My grandmother could sing better than Mietta. People of old age can still entertain.
Spoons Perry

.
/* */
But the judges don't seem to be able to say the word no to a 5 year old, Red Simons is the only one using his common sense, the other 2 have no backbone.
Time

.
/* */
After time

.
/* */
After time

.
/* */
She's a 5 year old, for crying out loud, she'd probably buy a pony with her prize money. I'm at a loss of how she made it to the semi-finals, and from there, I'm at a loss of how she was voted by the Australian public to get into the grand final. Compared to the other performers, she can't sing, she can't dance, and she certainly can't entertain. Compared to the others, she has no talent. For a 5 year old, yes, but compared to everyone else, by god, nooooo....


Posted by WritersBlock - June 25th, 2008


As the title suggests, I now have 50 audio fans, I now have rainbow shoelaces, and a 2nd placing in the writing competition.

More details-

50 Fans:
After the release of my latest song, Utopia, I've ticked over to the half century mark. While this is nothig compared to the likes of MaestroRage or ParagonX9, or even Rig, SBB or DarKsidE555, having 50 people appreciate me as a musician makes me feel warm and fuzzy inside. Thank you for listening to my music and supporting me, and I hope I can continue to compose and create, it's what I love.

Rainbow Shoelaces:
Today I bought a pair of rainbow shoelaces, which makes me awesome. They cost $2. And that money goes to fundraising for organ donors. Because being righteous and generous makes people awesome.

2nd Place in Writing Competition
I came 2nd with this story. Read more about how the competition panned out here.

OMG yay!


Posted by WritersBlock - June 20th, 2008


Impatiens

He sat in his chair on the balcony of his beach house,
Overlooking the breathtaking view of Babylon Bay.
There was a certain eagerness about him,
But he was a very patient man, unfazed by delay.

He was waiting for a special friend to arrive,
But that friend wasn't late, the friend was always on time.
And he sat in his patience, nothing stirring,
And the early morning wind rustled through leaves,
Playfully hinting of a rhyme.

A tall vase stood upon a battered stool,
With an ominous glow of twilight encompassing that vase,
And brought about a silhouette upon the flower inside,
An Impatiens, a solitary item that had captured his gaze.

The sun began to rise over the horizon,
His friend had arrived at long last,
His subject, the Impatiens one was ready,
A beacon of life and colour, awakens the past.

His paint brushes waited with baited breath,
They had not felt the texture of canvas for months,
His patience had prepared him for the reunion of hand and brush,
For he had touched paint on blank page not once.

The light weight tool in his hand felt natural,
Like an extension of his arm, moving with precision,
The lightest intentions of the hand, as signals from the mind,
Sent a cascade of colour upon the page,
The sharpest spectral incision.

The sun was not an impatient,
But it would wait for no man, it rose without haste,
The painter was slow and meticulous,
And his canvas couldn't be lathered in paste.

So he valiantly, delicately, played across the page,
Determined to end before the roof shadowed his light,
It was now, that his patience began to wear thin,
Hurry the painting, before first signs of night.

He laid down his brush, he had made good time,
But he lacked the quality he had set to achieve,
Time plays tricks on even the most reserved human beings,
We are all a little Impatiens sometimes.

A Poem By WritersBlock